Deuteronomy.11

A fine example of Italian Baroque music, with the same phrase echoing throughout all three parts at times and with precise articulations throughout. A great teaching and performing opportunity for your

A reflection of Baroque style, this selection features ornamentation in the form of trills, plus call and response passages inherent to the music of the time. A flurry of notes that will showcase your

A rich and musical introduction in 4/4 time leads to an energetic melody that builds in intensity to show off the tone of the oboe and technical ability of the oboist at their best.

A lyric theme turns into a spirited variation that is heroic in nature and ends in triumph. A good choice for soloists a an intermediate level.

After a statement of the main theme, the celebration begins with a bouyant section in 2/4 that leads to a fast-paced variation of the main theme complete with grace notes, ornamentation and fun!

A triumphant introduction fit for a deity leads to a vibrant dance with grace notes and accented notes, both on and off the beat, before ending with a flourish signaling that the festivities are at an

Composed in a moderate 4/4 time, the flute soloist gets a chance to show their technical ability intertwined with ornamentation in a light and lilting melody.

Dedicated "to anyone who ever participated in some form of mischief," this arrangement is made for fun! In a brisk 6/8 time, this arrangement calls for almost exaggerating the phrasing and dynamics, along

Forceful, then swift are the sections of this composition - characteristics of the gryphon, a legendary creature with the head, talons and wings of an eagle and the body of a lion.

Following a melodic introduction in 4/4 time, the composition turns swift, energetic and technical - much like Hermes' role as an Olympian and a messenger to the gods.

The introduction is deliberate and melodic, like a bold entrance into the maze with a moment of caution before proceeding, then builds into an energetic dash in 2/4 to find the exit and leave!

The introduction is deliberate and melodic, like a bold entrance into the maze with a moment of caution before proceeding, then builds into an energetic dash in 2/4 to find the exit and leave!

An energetic and stately dance in 3/4 time solidly scored so every part gets plenty of support. A good choice with many teaching opportunities for recital or festival!

Medusa by Ken Kaisershot is a xylophone solo with piano accompaniment. The minor key and 6/8 meter give it an appropriately spooky feel.

In a moderate 6/8 time, the melody goes through variations of the main theme, ending with a coda that is quick and changeable, much like the nature of the god Mercury.

Much like the fierce creature that guards the maze, this solo is not for the faint at heart. It takes a steady rhythm and determination to succeed to master the eighth and sixteenth note articulations

Pan is the god of the wild, shepherds and flocks, hunting and rustic music. This composition also has a rustic charm that will delight any advancing flute soloist.

An energetic composition in 4/4 time that starts with triplet patterns in the melody, then dazzles with sixteenth-note patterns in 6/8 time that builds to a shining and bright finish - much like the Sun God